Gravity Pleasure

music label & platform

co-founder

2025 — present

Slowfoam & slyn dreamed up Gravity Pleasure in early 2025 as a label & platform for diverse, FLINTA+ and more-than-human voices. In less than a year, Gravity Pleasure has materialized as a safe space for expression, collaboration, and education. They have hosted nights at Kwia in Berlin, unit3 in Manchester, and exit in Glasgow, and have hosted a FLINTA-focused Synth Club workshop in Glasgow with Sonia Killman and Sonic Worldbuilding course online with Slowfoam and Sk [Rain].

In June 2025, Gravity Pleasure launched its inaugural release ‘Water Bodies’ - a stunning 21-track hydrofeminist VA featuring 28 FLINTA artists, including Yetsuby, Flora Yin Wong, ophélie, Felisha Ledesma, tibslc, Kissen, and more.

Skinny Dipping

Co-founder | 2025 - present

Skinny Dipping is an event promoter in Glasgow created by slyn and Alexis P.s.t centering women, non-binary, and trans artists inhabiting the off-kilter greyspace between club/dance, experimental, and ambient music.

The project aims to carve out room for more club sounds within gig style hours, blurring the lines between listening and dancing. Past events have featured Aircode & Han, Jennifer Walton, Craggyland & Alliyah Enyo and a night fully of local line up.

Data Sonification Residency Curator

Alongside a group of artists and academics, we are working collaboratively to develop a two-week residency at the University of Glasgow which would focus on data sonification. The residency will bring together artists with researchers who will supply and explain to them their data, for the artist to then sonify. This is in order to try to create bridges between the creatives and academia as well as to explore other ways of analysing and present data outside the typical visual.

Plummet

Alongside sculptural artist Matthew Rimmer and sound artist Poole, Plummet was a performance and exhibition that fuses drums, flute, voice, lithophone, and flowing water into a live, improvisatory ecosystem. Acoustic and electronic textures collide, dissolving distinctions between instrument, gesture, and environment, as sound navigates the sensorium of the organic and digital. Plummet is at once playful, elemental, and unpredictable. Installed and performed at Exit, Glasgow.